Stanislavsky Versus Brecht
Stanislavsky and Brecht's first major difference is in their core philosophies. At the core of Stanislavsky's method, the purpose is for the audience to feel. This is achieved by creating theater so seamless and authentic that it is as indiscernible from reality as possible. Through this, theater reaches its pinnacle in Stanislavksy's eyes. On the opposite end of this Brecht does not want the audience to feel, but think. For him, a performance's most important objective is to pass on its intended message with maximum effectiveness. Brecht implements this by in many ways doing the polar opposite of Stanislavsky. He ensures through the dialogue, set, and the manner in which the theater is represented in order to best disconnect the audience from the show. The audience must feel like spectators, unable to relate to the characters and their going-on's from this the audience is more inclined to not feel but think about the theater, and what it means. In the five truths ...